The 330 was available at first with one or two pickups, and the October/November 1959 issue of Gibson’s Gazette promo magazine announced the pair as “beautiful professional-type guitars, economy priced by Gibson”. ![]() To understand how Gibson positioned the new Casino in its revised and reworked Epiphone range, let’s briefly consider the ES-330. The Sheraton remained as the only semi-solid among the Gibson-made Epiphones until it was joined in ’62 by the Riviera, which broadly corresponded to the 335. ![]() This extremely rare 1961 Casino might be the only example ever made in Royal OliveĮpiphone’s semi-solid Sheraton (originally intended to be called the Deluxe) was roughly equivalent to the Gibson ES-355 in its fancy appointments, while the Casino was a close relation to Gibson’s hollow 330. They were quick to apply some of these approaches and ideas to the new Epiphone lines. These were the stereo 345 and the high-end 355, and also a full hollowbody version, the ES-330. Gibson had recently introduced the ES-335, its groundbreaking semi-solid double-cutaway thinline electric, and in the wake of its success the company’s bosses created a series around it, adding a few more models in the same style.
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